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UID:20260416T004847CEST-6850uUUROS@http://www2.movingimage.us
DTSTAMP:20260415T224847Z
DESCRIPTION:\n	The Confessions of Roee Rosen&nbsp\; \n	\n	Israel. Dir. Roee
  Rosen. 2008\, 60 mins. Digital projection. Autobiography assumes a pact w
 ith the person it is addressed to\, a contract of confidence that paradoxi
 cally authorizes the person confessing to hiding behind his revelations\, 
 and to wear\, eventually\, all sorts of masks. That is the chosen strategy
  here\; three women in succession addressing the camera substitute the mal
 e subject expected on the screen. These women are immigrant workers in Isr
 ael\, each coming from different countries\, with a poor understanding of 
 Hebrew that they decipher with difficulty with an autocue machine. Suddenl
 y the restricted frame of the confessional explodes: what their words\, th
 eir minimal choreographies reveal goes beyond privacy and its pathetic lit
 tle secrets. This maladroit trio exposes itself in the place of artist Roe
 e Rosen\, who uses ventriloquism to voice fantasies too immense not to be 
 shared. \n	\n	\n	Preceded by: \n	\n	One\, Two\, Many \n	\n	Belgium. Dir. M
 anon de Boer. 2012\, 22 mins. Digital projection. Her previous films (Sylv
 ia Krystel-Paris (FID 2004) and Le temps qu’il reste (FID 2008) explored t
 he spaces of music and speech in cinema\, between picture and sound\, seei
 ng and listening. With One\, Two\, Many\, she plays with political and aes
 thetic variations and issues\, this time by tying together three gestures 
 which eventually merge into a single one giving pride of place to the body
 . One: A strong blow from deep inside flutist Michael Schmid as he plays a
  piece by Istva’n Matus. Breath turns into a note. Two: The film opens up 
 to multiplicity\, as suggested by an off-screen discussion about a text by
  Roland Barthes on togetherness. Many: Clearly carried out in the finale\,
  this community of “numbers” becomes a flowing wandering among the listene
 rs and performers of Tre canti popolari by Giacinto Scelsi\, a piece that 
 is all piercing sounds and onomatopoeias. The film delivers a lesson in po
 litics\, parting or bringing together bodies and sounds. \n	\n	\n	Free wit
 h Museum admission on a first-come\, first-served basis. Museum members ma
 y reserve tickets in advance by calling 718 777 6800. For more information
  about becoming a Museum member and to join online\, please click here. \n
 	\n
DTSTART:20131123T190000
DTEND:20131123T190000
LOCATION:Museum of the Moving Image
SUMMARY:The Confessions of Roee Rosen / One\, Two\, Many
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