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DTSTAMP:20260415T195538Z
DESCRIPTION:\n	With Leo Goldsmith and Gregory Zinman in person \n\n\n	While
  in pre-production on his science-fiction epic Ad Astra\, director James G
 ray was searching for ways to develop a new visual grammar for a cinematic
  depiction of outer space. He turned to an unlikely source for help: two s
 cholars and curators of experimental media. Over the course of a year\, Le
 o Goldsmith and Gregory Zinman put together notes\, quotes\, and research 
 on over 40 films for Gray and his production team. Their brief was to prov
 ide Gray with examples of how artists of the last 25 years had addressed t
 hemes of space and isolation in their work. This program highlights the fi
 lms and videos of those artists in order to illuminate the ways that Ad As
 tra developed its powerful aesthetic. From painted film to digital abstrac
 tion\, and from Afrofuturist music video to essayistic video-collage\, the
 se works provide insight into the diverse material and conceptual approach
 es to the cosmos the filmmakers drew upon. This program hopes to raise que
 stions regarding the relationship between artists’ moving image and commer
 cial enterprises\, and to demonstrate the ways discrepant visual ideas hel
 p shape a film’s unified look and feel. \n	\n\n\n	Organized by Leo Goldsmi
 th and Gregory Zinman\n	\n\n\n	Total running time: 64 mins. \n	\n\n\n	Stel
 lar \n	\n	  Dir. Stan Brakhage. 1993\, 3 mins. 16mm\, silent. \n	\n	Courte
 sy of The Film-Makers’ Cooperative. \n\n\n	SIGHTINGS: Littoral Zones&nbsp\
 ; \n	\n	Dir. Sabrina Ratté. 2014\, 6 mins. Digital projection. \n\n\n	Let 
 Your Light Shine&nbsp\; \n	\n	  Dir. Jodie Mack. 2013\, 3 mins. 16mm\, 3D.
  \n	\n	Courtesy of Canyon Cinema. \n\n\n	Let’s Groove \n	\n	  Dir. Ron Hay
 s. 1981\, 4 mins. Digital projection. \n\n\n	Moon 1969 \n	\n	  Dir. Scott 
 Bartlett. 1969\, 15 mins. 16mm. \n	\n	Courtesy of The Film-Makers’ Coopera
 tive. \n\n\n	Energie! \n	\n	  Dir. Thorsten Fleisch. 2007\, 5 mins. Digita
 l projection. \n\n\n	Salt Crystals Spiral Jetty Dead Sea Five Year Film \n
 	\n	  Dir. Jennifer West. 2013\, 1 min. Digital projection. \n\n\n	Luminar
 e \n	\n	  Dir. John Sanborn and Dean Winkler. 1986\, 7 mins. Digital proje
 ction. \n\n\n	Eclipse \n	\n	  Dir. Jeanne Liotta\, 2005\, 3 mins. 16mm. \n
 	\n\n\n	The Invisible World \n	\n	  Dir. Jesse McLean. 2012\, 20 mins. Dig
 ital projection. \n\n\n	Tickets: $15 ($11 seniors and students / $9 youth 
 (ages 3–17) / free for children under 3 and Museum members at the Film Lov
 er and Kids Premium levels and above). Order tickets online.(Members may c
 ontact members@movingimage.us with questions regarding online reservations
 .) &nbsp\; \n	\n\n\n	\n	Ticket purchase includes same-day admission to the
  Museum (see gallery hours). View the Museum’s ticketing policy here. For 
 more information on membership and to join online\, visit our membership p
 age. \n	\n\n\n	Gregory Zinman is an assistant professor in the School of L
 iterature\, Media\, and Communication at the Georgia Institute of Technolo
 gy. He is the author of Making Images Move: Handmade Cinema and the Other 
 Arts (University of California Press\, 2020)\, and co-editor\, with John H
 anhardt and Edith Decker-Phillips\, of We Are in Open Circuits: Writings b
 y Nam June Paik (The MIT Press\, 2019). \n\n\n	Leo Goldsmith is a Visiting
  Assistant Professor of Screen Studies in the Department of Culture and Me
 dia at Eugene Lang College\, The New School. His writing has appeared in A
 rtforum\, art-agenda\, Cinema Scope\, and The Brooklyn Rail\, where he was
  a film editor from 2011 to 2018. He is a co-author of Keywords in Subvers
 ive Film/Media Aesthetics (Wiley 2015)\, by Robert Stam with Richard Porto
 n\, and is currently writing a book about the filmmaker Peter Watkins. \n
DTSTART:20191012T183000
DTEND:20191012T194500
LOCATION:Museum of the Moving Image - Bartos Screening Room
SUMMARY:To the Stars: Experimental Inspirations for Ad Astra
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