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DESCRIPTION:Twilight City&nbsp\; \n\n	Dir. Reece Auguiste. 1989\, 52 mins. 
 Digital projection. A landmark film from the Black Audio Film Collective\,
  Twilight Cityis a poetic essay that explores the experiences of people of
  color living in 1980s London. The film is organized around a construction
 —a fictional letter from a woman\, Olivia\, to her mother\, Eugenia. Ten y
 ears ago\, Eugenia moved away\, and now she is considering coming back. Th
 rough the letter\, her daughter warns her of the city she will encounter u
 pon her return and describes how it is no longer the one she left. This de
 vice creates a framework for historians\, activists\, and journalists to d
 iscuss their complex relationships to the city through personal memories a
 nd historical events. Accompanied by archival footage\, their descriptions
  explain the patterns of development and systems of discrimination that sh
 aped a city where people exist alongside one another but live in very diff
 erent worlds. Dreamlike visual sequences connect the interviews to the sto
 ry of Olivia and Eugenia\, transporting the viewer on a journey through th
 e city at night. \n	\n		\n	\n	\n		FOLLOWED BY \n	\n	\n		La Jetée \n	\n	\n	
 	Dir. Chris Marker. 1962\, 28 mins. Digital projection. With Hélène Chatel
 ain\, Davos Hanich\, Jacques Ledoux. Chris Marker’s inspired film unspools
  the mysterious story of a man haunted by an image from his childhood whos
 e meaning he would only truly comprehend later in life. As a young boy\, h
 e witnessed a man shot to death on the observation deck of the Orly Airpor
 t in Paris\, just before the outbreak of World War III. Composed of black-
 and-white still photographs\, La Jetée presents a dystopian future where s
 cientists conduct experiments on prisoners involving travel through time. 
 A narrator describes the man’s trips back to the past and the woman who wa
 its for him there. The careful arrangement of stationary images\, and the 
 space left between them\, allows viewers to create their own movement from
  frame to frame—the scenes we are left to imagine are as potent as those w
 e see. The sound design also contributes to this sense of motion. Heartbea
 ts and whispers induce a sense of unease\, while an evocative score propel
 s us through this daring work of science fiction. \n	\n	\n		\n	\n\n\n	Tick
 ets: $15 ($11 seniors and students / $9 youth (ages 3–17) / free for child
 ren under 3 and Museum members at the Film Lover and Kids Premium levels a
 nd above). Order tickets online.&nbsp\;To see all films in the series\, co
 nsider a $40 series pass.&nbsp\;(Members may contact members@movingimage.u
 s with questions regarding online reservations.) \n	\n	\n	View the Museum’
 s ticketing policy here. For more information on membership and to join on
 line\, visit our membership page. \n	\n
DTSTART:20191110T160000
DTEND:20191110T173000
LOCATION:Museum of the Moving Image - Redstone Theater
SUMMARY:Twilight City and La Jetée
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