BEGIN:VCALENDAR VERSION:2.0 PRODID:-//http://www2.movingimage.us//NONSGML kigkonsult.se iCalcreator 2.10.23// X-WR-TIMEZONE:America/New_York BEGIN:VEVENT UID:20260415T235136CEST-7539JjdPkt@http://www2.movingimage.us DTSTAMP:20260415T215136Z DESCRIPTION:\n Introduced by guest curator Becca Keating and with Jennifer Reeves in person\n\nFrom 1958 to 1976\, Will Hindle made ten films. While his work is not as well known as that of some contemporaries within experi mental cinema\, his ambitious technical prowess and personal\, erotic\, an d psychedelic sensibility has nevertheless illuminated a path for many in the current generation of experimental filmmakers. His expressive visual s tyle\, unusual editing\, and effects\, and his intuitive use of image and sound to activate complex emotional and psychic states characterize a body of work that\, while modest in scope\, stands among the most distinctive and evocative in the American avant-garde. Two of Hindle’s seminal works\, Watersmith(1969) and Saint Flournoy Lobos-Logos and the Eastern Europe Fe tus Taxing Japan Brides in West Coast Places Sucking Alabama Air\, (1970) will provide a jumping off point for this first iteration of a new ongoing series\, Persistent Visions\, as we discover how—in addition to Hindle’s own examples—some contemporary experimental filmmakers have explored tranc e\, ritual\, and dream states in a uniquely cinematic language. \; \n \n Organized by Becca Keating \; \n \n\n\n \n \n Program 1: Bodies i n Motion \n \n \n Saturday\, November 16\, 6:00 p.m.A stunning portrait o f water polo athletes in training\, Watersmith is one of Will Hindle’s ack nowledged masterpieces. Featuring an intensely nuanced attention to bodies \, motion\, and space\, amplified by Hindle’s hypnotic and ecstatic rephot ography effects\, Watersmith launches this program in which filmmakers use widely varying approaches and techniques to activate spaces\, with a heig htened subjectivity that suggest trance states and poetic\, emotionally ev ocative experiences. Total running time: 64 mins. \; \n \n \n \n \n \n \n \n Watersmith \n \n \n Will Hindle. 1969\, 32 mins. 16mm. \n \n \n \n \n \n \n \n Trains Are for Dreaming \n \n \n Jennifer Re eves. 2009\, 7 mins. 16mm. \n \n \n \n \n \n \n \n Sounding Glass \n \n \n Sylvia Schedelbauer. 2011\, 10 mins. Digital projection. \n \n \n \n \n \n \n \n Red Mill \n \n \n Esther Urlus. 2013\, 6 mins. 16mm. \n \n \n \n \n \n Still Life \n \n \n Bruce Baillie. 1966\, 3 min s. 16mm. \n \n \n \n \n \n \n \n If the War Continues \n \n \n Jo nathan Schwartz. 2012\, 6 mins. 16mm. \n \n \n \n \n \n Tickets: $15 ($1 1 seniors and students / $9 youth (ages 3–17) / free for children under 3 and Museum members at the Film Lover and Kids Premium levels and above). O rder tickets online.(Members may contact members@movingimage.us with quest ions regarding online reservations.)  \; \; \n \n \n \n \n \n Di scounted pass good for admission to both programs: $22. Order online. \n \n \n \n \n \n View the Museum’s ticketing policy here. For more informa tion on membership and to join online\, visit our membership page. \n \n \n DTSTART:20191116T180000 DTEND:20191116T190000 LOCATION:Museum of the Moving Image - Bartos Screening Room SUMMARY:A Survey in Trance: Will Hindle in the Contemporary Avant Garde END:VEVENT END:VCALENDAR