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DESCRIPTION:\n	How is wealth created in digital economies? Who profits and 
 who doesn’t? In “Software\, Scanners\, and Sharecroppers\,' the first part
  of this edition of Theorizing the Web Presents\, Alif Ibrahim considers w
 orkers at the bottom of the digital production chain\, who are largely hid
 den and poorly paid despite being deemed 'essential for human culture.” Th
 en\, in “Ambient Accumulation\,” Rob Arcand uses one band's lucrative pran
 k album on Spotify as the jumping-off point for a discussion about wealth 
 creation that stems from the commodification of digital assets. This episo
 de is moderated by Dr. Britney Gil. \n\nPanelists include Alif Ibrahim (@_
 alifibrahim)\, a writer and artist from Indonesia whose work on art\, tech
 nology and culture has recently appeared on It's Nice That and in Real Lif
 e Magazine\; and Rob Arcand (@robarcand)\, a writer\, editor\, and web dev
 eloper based in Brooklyn whose work focuses on the relationship between di
 gital platforms and the arts\, and who has published work on SPIN\, Pitchf
 ork\, Vice\, The Nation\, and elsewhere. He recently completed an M.A. in 
 Computational Media\, Arts\, and Cultures at Duke University. Britney Gil 
 (@_britneygil) is an audiobook producer and cohost of the podcast Ironweed
 s. Her writing has appeared in Real Life\, Refinery 29\, Cyborgology\, and
  The New Inquiry.\n\n	\n\n\n	Join the conversation.\n
DTSTART:20201007T100000
DTEND:20201007T110000
LOCATION:Museum of the Moving Image
SUMMARY:Theorizing the Web Presents:  Diminishing Returns
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