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DESCRIPTION:\n	This episode of Theorizing the Web Presents centers on the m
 isfits and outliers who are disrupting dominant ways of being and doing on
  the internet. In the first segment\, Sonja Solomun and Victoria Simon use
  queer theory to problematize algorithms and algorithmic power. Then\, Jac
 k Webster considers why vinyl records are experiencing a new heyday in an 
 age of ubiquitous music streaming services. And\, finally\, Heather Fenby 
 asks what it means to be older on the Internet\, where accessibility is an
  unglamorous afterthought\, and personalization means incessant reminders 
 of mortality\, decay\, infirmity\, accident\, painful illness\, and utter 
 irrelevance. This episode is moderated by TtW Presents Producer Whitney Er
 in Boesel (@weboesel). \n\n\n	Join the conversation. \n\n\n	Panelist Bios:
  \n\n\n	Heather Fenby (@_cynar) has choreographed and performed in dance a
 nd experimental theater pieces for 30 years. She has a parallel career as 
 a UX strategy consultant. \n\n\n	Victoria Simon (@vickiisimon) is a Profes
 sorial Lecturer in the School of Communication at American University. Sim
 on examines the history and cultural politics of technological interfaces 
 and software industries\, drawing lines between the practices of developer
 s\, identity\, disability\, and democracy. She has a special focus on musi
 c and sound\, and is currently working on her first book manuscript\, From
  Difficulty to Delight: An Archaeology of Musical Screens. \n\n\n	Sonja So
 lomun (@SonjaSolomun) is the Research Director of the Centre for Media\, T
 echnology and Democracy at McGill University and a co-founder of the Coali
 tion for Critical Technology. She is currently completing her PhD in the D
 epartment of Communication Studies at McGill. Sonja works on the histories
  and politics of platforms and the social implications of AI. \n\nJack Web
 ster is a graduate of the Web Science Centre for Doctoral Training (CDT) a
 t the University of Southampton\, UK. He is interested in how platformizat
 ion is shaping the production and consumption of cultural goods.
DTSTART:20201202T140000
DTEND:20201202T150000
LOCATION:Museum of the Moving Image
SUMMARY:Theorizing the Web Presents: Age Against the Machine
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